JOAN BENNETT BLOG

Monday 06th of September 2010 01:45:40 AM

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Sen  Edward Kennedy  s family fortune not only fueled his brothers  presidential campaigns and his eight terms in the U S  Senate  it also helped drive the family s liberal legacy and
Add to my list See this at  doctormacro1 info | Added on 10 18 08 See less
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Of course  the fact that she was astonishingly beautiful helped somewhat    Later on in her career  she dyed her hair brown  and stayed a brunette ever thereafter as she became a fixture in film noir
 
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Joan Bennett1935 publicity photo
The Woman in the WindowNunnally Johnson whips up a strong and decidedly suspenseful murder melodrama in Woman in the Window. Producer, who also prepared the screenplay [from the novel Once off Guard by J.H. Wallis] continually punches across the suspense for constant and maximum audience reaction. Added are especially fine timing in the direction by Fritz Lang and outstanding performances by Edward G. Robinson, Joan Bennett, Raymond Massey and Dan Duryea.
Opening sequence suggests that tragedies spring from little things, and anyone can become involved in a murder or criminal action. Thats just what happens to Robinson, a staid and middle-aged college professor whose wife and children depart for vacation in Maine. He pauses and admires a painting on exhibition in store window adjoining his club. Later he again glances at the girls portrait and finds the model standing beside him.
Robinson visits her apartment to look over other sketches; a stranger breaks in to accuse the girl of infidelity and attacks Robinson, who stabs the visitor in self-protection. Sidetracking initial impulse to call the police, he connives with the girl to dispose of the body in the country woods. Finish is a surprise for smash climax.

RKO/International. Director Fritz Lang; Producer Nunnally Johnson; Screenplay Nunnally Johnson; Camera Milton Krasner; Editor Marjorie Johnson; Music Arthur Lange; Art Director Duncan Cramer

Edward G. Robinson... Professor Richard Wanley
Joan Bennett... Alice Reed
Raymond Massey... Dist. Atty. Frank Lalor
Edmund Breon... Dr. Michael Barkstane
Dan Duryea... Heidt / Tim, the Doorman
Thomas E. Jackson... Inspector Jackson, Homicide Bureau
Dorothy Peterson... Mrs. Wanley
Arthur Loft... Claude Mazard / Frank Howard / Charlie the Hatcheck Man
Frank Dawson... Collins, the Steward

from VARIETY 1945
Joan Bennett and Randolph ScottPublicity still for the 1938 movie "The Texans"
James Mason with Joan Bennett in The Reckless
Joan Bennett in Vogues of 1938, 1937Joan Bennett surrounded by fur!
Joan Bennett
Joan Bennett1936 publicity photo with her cocker spaniel Duke
Joan Bennett1936 publicity photo with her dog
Joan Bennett
Joan Bennett
Joan Bennett
Joan Bennett
 

:For the January 1985 Playboy Playmate of the Month, see Joan Bennett (Playmate).

issue of Movie Story Magazine]]

Joan Geraldine Bennett (February 27, 1910 – December 7, 1990) was an American film actress who also achieved success later in life as a television actress.

Early life

Born in Palisades Park, New Jersey, Bennett was the youngest of 3 daughters of stage actors Richard Bennett and Adrienne Morrison, and was the younger sister of actresses Constance Bennett and Barbara Bennett (the mother of Morton Downey, Jr.).

Joan Bennett and her siblings were also the grand-daughters of prominent stage actor Morris W. Morris. Morris, who was born in Jamaica (West Indies), was a Civil War veteran who served in the "Blacks" division of the Louisiana Native Guards.

Morris W. Morris died in 1906.

Career rise

Bennett made her first film appearance in 1918 in an uncredited part and appeared in a few silent films while a child. She married at the age of 16, and when this marriage ended two years later, resumed her acting career.

Contracted to 20th Century Fox she appeared as a blonde (her natural color) ingenue in a several films including Puttin' on the Ritz in 1930, before leaving this studio to appear in Little Women (1933). She was not taken seriously as an actress and struggled to establish herself. Her task was further complicated by the rapid rise to fame of her sister Constance, who at this time was one of Hollywood's most successful and popular actresses, and with whom she was unfavourably compared.

She signed a contract with producer Walter Wanger, whom she would later marry in 1940. He managed her career, and with director Tay Garnett convinced her to change her hair from blonde to brunette. With this change her screen persona evolved into that of a glamorous seductress and she began to attract attention.

During the search to find an actress to play Scarlett O'Hara in Gone with the Wind, Bennett was tested and impressed producer David O. Selznick. She was briefly considered to be a front runner for this part but Selznick eventually turned his attention to Paulette Goddard, who was then rejected in favour of Vivien Leigh.

In the early 1940s Bennett appeared in four films directed by Fritz Lang. Three of them (Man Hunt (1941), The Woman in the Window (1944), and Scarlet Street) established her as a film noir femme fatale. She also worked with noted directors Jean Renoir in The Woman on the Beach. and Max Ophls in The Reckless Moment. She also played the wife of Spencer Tracy in Father of the Bride (1950) and its sequel, Father's Little Dividend (1951).

Scandal

Midways through her career Bennett had changed agents. In 1951 Wanger shot and injured Bennett's new agent, with whom she had began an affair, and the resulting scandal damaged her career. Wanger spent 2 years in prison for the offense, but he and Bennett remained married until 1965.

She continued to work steadily in theatre and television and was a cast member of the television series Dark Shadows for its entire five year run, from 1966 until 1971, receiving an Emmy Award nomination for her role. Bennett appeared in a few more films, most notably Dario Argento's Suspiria.

Bennett died from a heart attack in Scarsdale, New York at the age of 80, and was buried in Pleasant View Cemetery, Lyme, Connecticut.

She has a star on the Hollywood Walk of Fame for services to Motion Pictures, at 6310 Hollywood Boulevard.

Selected filmography

* Big Brown Eyes (1936)

* The Son of Monte Cristo (1940)

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* Classic Movies (1939 - 1969): Joan Bennett

*Joan Geraldine Bennett

* Joan Bennett at Classic Hollywood Bios

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The Wikipedia article is licensed under http://www.gnu.org/copyleft/fdl.html and uses material from http://en.wikipedia.org/wiki/Joan_Bennett.